In reality, the fewer stated about the true plot, the easier — everybody merits to cross into the movie unspoiled. “Glass Onion” exchanges the comfortable aristocratic manor space for a glitzy Greek non-public island: Much less “The Mousetrap,” extra “Loss of life at the Nile.” Miles Bron (Edward Norton, in a send-up of tech bros like Elon Musk) invitations a gaggle of his closest good friend to a glamorous weekend getaway in the middle of the COVID-19 lockdown. The theme is “homicide thriller,” and his visitors (amongst them, a distinguished scientist, a political candidate, a model-turned-fast-fashion-mogul, and a males’s rights activist with a thriving social media following) will have to solve his “homicide.” Predictably, issues quickly take a deadly flip. However now not to concern: Benoit Blanc (Daniel Craig, returning and having the time of his existence) has gained a mysterious invitation to this birthday celebration, and is quickly at the case.
To mention a lot more would give an excessive amount of away, however suffice it to say, “Glass Onion” captures such a lot of of the weather that made the primary movie an sudden hit. Even though it includes a other visible language, shifting from the sector of an eccentric WASP’s over-stuffed New England mansion to a chilly and, from time to time, absurdly trendy Mediterranean property, it’s unwavering in its dedication to skewering the elite. The guts of those movies is in its framing of the ruling elegance as hypocritical and inherently corrupt. The place the homicide thriller style that “Glass Onion” can pay tribute to frequently glamorizes the rich elite (even whilst shining a gentle on their social ills), “consume the wealthy” may be very a lot the lens wherein to view either one of those movies.
