In the interview, Lee Jung-jae highlighted that he labored with Heo Myeong-haeng to element the weather and choreography of the quite a lot of scenes. “To begin with, after we have been writing the script, the motion traces in truth defined all of those motion sequences in a large number of element,” Lee Jung-jae stated. He gave an instance of the movie’s Tokyo lodge scene, the place “the motion traces described the place the brokers have been status, the place the automobile was once ranging from, the place it is going to forestall” — the entire key elements of the series exactly mapped out.
Whilst “Hunt” is the filmmaker’s directorial debut, his revel in as a veteran big name aided his figuring out of what was once imaginable from the scene in query. “All of this was once described in a large number of element within the script,” he clarified, “and this got here from the truth that I have already labored on set as an actor for 30-plus years, so I had an concept of whether or not all of this may be imaginable or no longer in one location.”
Certainly one of his key conversations with Heo Myeong-haeng was once focused across the duration of the motion sequences in query. “When I started my conversations with the stunt coordinator, the very first thing I discussed [was] that I would like[ed] the motion sequences to be quick,” he famous, “as a result of if the motion sequences are too lengthy, then it is not an espionage movie; it’s going to be an motion movie.” It was once essential to the filmmaker to handle that stability, as he “sought after to be devoted to that espionage style however nonetheless come with the ones motion sequences” — all intense and attractive moments within the movie.
“Hunt” is to be had in theaters and on call for.