In an interview with Selection, director Brett Morgen used to be requested if he ever met David Bowie. “I met David in 2007 to talk about a possible collaboration on a hybrid nonfiction mission -– now not “Moonage Daydream,” one thing very other that used to be going to be extra performance-based,” he mentioned. “That movie that I pitched him imagined that David by no means developed after Ziggy and that we might in finding him in present-day Berlin, and he has been taking part in the similar songs for the previous 40 years at a dive bar in the midst of the evening to the ultimate 4 other people on Earth who’re paying consideration. It used to be one of those wild presentation.”
The proposal closely aligned with issues of desolation and the passage of time that gave the impression in lots of the musician’s songs, or even a few of his performing paintings such because the esoteric and continuously forgotten sci-fi flick, “The Guy Who Fell To Earth.” The pitch additionally pointed to Bowie’s famed early level character “Ziggy Stardust,” which, for plenty of in early Seventies Britain, used to be spellbinding in relation to the artist’s taste and androgynous look. In the long run, it wasn’t to be, as Morgen concluded. “It used to be going to require numerous capturing and David used to be in semi-retirement at that time,” the director mentioned. “The person who turned into his executor referred to as in a while and mentioned, you understand, ‘David loved the pitch however he isn’t at a spot the place he can do that presently.'”
