The opening textual content that follows the credit score collection most definitely explains it best: “A unmarried crash of Cymbals and how it rocked the lives of an American circle of relatives.” Like a lot of Hitchcock’s paintings, “The Man Who Knew Too Much” offers with an peculiar everyman who’s thrust right into a wild state of affairs. Simply the few phrases in regards to the assassination, spoken to Ben through Bernard, an intelligence officer who befriends the circle of relatives early on within the movie, are sufficient to cause the collection of bonkers occasions that observe. It is simple to establish with the protagonists and really feel for his or her plight, no longer handiest in being put into one of these state of affairs, but in addition for the very actual ethical alternatives that stand up. What is the extra essential choice: fighting the assassination, or saving their son?
The movie additionally showcases the potential for the everyman to shine via apparently insurmountable odds. That is glaring towards the tip, after we see the circle of relatives’s ingenuity come to the vanguard. After having stored the overseas high minister from being assassinated on the opera, Ben and Jo (Day) are granted admission into the overseas embassy, the place they consider their son, Hank, to be. There, Jo plays a tune on the piano for the attendees.
She proceeds to sing “Que Sera Sera” on the best of her lungs, hoping that Hank will listen his mom’s voice from someplace within the development and reply. Their plan works, as Hank whistles the tune in reaction from an higher degree, which aids Ben in in any case liberating his son. Hitchcock proves that every so often even the most straightforward answers from apparently peculiar folks may end up in overcome the chances.